DJ Nobu has long been Japan's best kept secret, but lately it feels like the cat is well out of the bag as his global touring schedule fills up for 2016. Nobu has been producing the legendary Future Terror parties in Japan since 2001 and launched his Bitta label in 2012. More than anything though, he is known for his completely unpredictable yet always mind-melting DJ sets. We were completely floored by both his prime-time set at The Bunker in Tokyo and his opening set at The Bunker in Osaka in September, 2015. He will be playing the closing set of The Bunker NY takeover of Berghain in February. Few DJs demonstrate the depth of vision that seems to come naturally to Nobu. Check out some of his podcast and you'll see what we mean. We are thrilled to welcome Nobu to close out The Bunker for his debut North American appearance!

Legowelt is the name under which Dutch artist Danny Wolfers releases most of his music. He describes his music as "a hybrid form of slam jack, The Hague electronix, combined with deep Chicago trax, obscure and romantic ghetto technofunk, EuroHorror Soundtracks and a lot more". Initially influenced by early Detroit Techno and Chicago acid tracks, Legowelt moved on to more and more experimental sounds until finally discovering the Bunker Records crew in his hometown, The Hague. He has since released dozens of records under more artist names than anyone could possibly keep track of. Legowelt has previously appeared at The Bunker three times, and delivered mind blowing sets each and every time. Tonight shoudl be not different.

Headlining Zone One will be Copenhagen’s ANASTASIA KRISTENSEN, making her debut at The Bunker. In Copenhagen, she holds residencies at both the legendary Culturebox club, and the queer party Mainstream. She’s taken the techno world by storm with her style that blends classic and new music in a very unique way that comes straight from the heart. Tresor founder Dmitri Hegemann called her set at Berlin Atonal last year “deeply refreshing” and we couldn’t agree more!

Mike Servito is from a very special yet temporary and partially lost fertile crescent of techno / house / party DJing. It was a time when raves were still a fresh idea, almost felt like a revolution, and DJs like Claude Young, D Wynn, Derrick Carter and Mike Huckaby were informing an upcoming generation. If you look directly to that inspired generation you will find the lost threads of Detroit Techno, House and beyond, you will find a group of DJs with insanely deep mixing skills, the ability to rock almost any kind of party with an improvisational approach that is so skilled it makes everything seem so well thought out that even they don't know where their set will go. But, it will take you there! In the future, this special generation of deep midwest mixers will be remembered and revered as the wizards they are, long after the trendy players have lost their luster.

Detroit never forgot about Mike Servito, his upfront dirty deep and bitchy taste has had an impact on Detroit nightlife for over a decade. From debuting in 1995 at Dat's Poorboy parties, to being a resident at blackbx and Ghostly's Untitled (along with Derek Plaslaiko, Tadd Mullinix, Matthew Dear, and Ryan Elliott), contributing to the bizarrely popular, wild and free Dorkwave, to blowing minds at Interdimensional Transmissions' No Way Back parties, Servito has made his impression. Moving to Brooklyn, Detroit's loss has been their gain, as he has found a proper home with a residency at The Bunker, and representation by Beyond Booking in North America and Odd Fantastic in Europe.

Patrick Russell is a true veteran of the US underground, perhaps one of the last unsung heroes of a now lost era in the Midwest. A genuine sonic storyteller, he magically transforms the diaspora of acid, IDM, and pure jack energy into a deep, fluent sonic dialog that never fails to devastate both minds and dance floor.

A Detroit-bred DJ, artist and producer active since the early 90's, Patrick has now made New York City his home. Perhaps best known as a key figure in the legendary No Way Back parties, his ability to weave intensely unique, long-format narratives has earned him critical acclaim for his recent appearance at Berghain, not to mention featured spots at festivals such as Japan’s famed Labyrinth, Unsound, and his numerous appearances at DEMF/Movement. Patrick has also been steadily building a strong catalog of high-profile productions to compliment his increasingly varied, hypnotic, and in-demand DJ sets; his upcoming 3-track remix EP on The Bunker New York also marks his induction as an official resident DJ at the long-running Brooklyn party.

His consummate taste and disciplined execution have created a respect that cannot be purchased. Patrick Russell is not just a name to watch, he is someone to be experienced.

Newest member of The Bunker New York family, strong off of her debut release earlier this year.

Detroit native Miguel Senquiz has artfully crafted a unique voice from a rich musical background. With roots firmly established in the gravitas of the area’s heritage, he’s incorporated a unique soulful texture and a polished-but-scuffed aesthetic aided in part by his connection to the Ghostly family.

“Growing up in the Detroit music scene, I was lucky to hear proper house, techno, and electro on the radio and at parties. I’m not old enough to have heard MOJO or The Wizard on the radio, but I had 89X live from Motor, Liz Copeland on WDET, and WaxTax N Dre on WJLB. Some of the first DJs I got to see out were Richie Hawtin, Delano Smith, Mike Huckaby, Mark Farina, and Derrick Carter. I was lucky to have a good foundation.”

He’s used that experience and knowledge to hone in on his own sound, gaining a reputation for long and energetic sets threading, and sometimes blurring the lines of house, techno, and acid.

The son of a Quiet Storm radio DJ and manager of Industry (a ‘90s nightlife spot just outside Detroit that hosted early Industrial and Techno shows), Miguel’s mother helped pave the way for his musical interests and imbued his tastes with a weighty soulfulness and playful eclecticism.

After setting up his New York home base in 2006 and taking a few years to settle, Miguel jumped head-first back into the NY music scene with formidable residencies (No Big Deal, Real Talk, and most recently Put in Werk at Output).

Slowly building demand outside of his NY home base, he’s recently taken his talents back to Detroit (Movement 2015), Miami, Austin, Mexico City, and Berlin to play alongside mentors Ryan Elliott, Trus’Me, Carl Craig, Matthew Dear, and Dixon among others.

When he’s not DJing or working on music, Miguel spends his days pursuing his shared mission to get artists paid through Drip.com, a music and creative subscription platform he co-founded with Ghostly’s Sam Valenti IV.

Föllakzoid is a chilean based cosmic music band who have put out some of our favorite albums over the past few years.