Carlos Souffront is a music gourmet, a true DJ's DJ. His taste is rich and vast and he has the unique ability to create deeply rhythmic narratives that offer unexpected and exotic spices. He mastered his deep mixing skills with a cassette deck and a belt drive turntable in his father's den in Troy, home of contemporaries such as Mike Servito, Tadd Mullinex and Matt Dear. Equally entrenched in indie rock, post punk, experimental music, ambient, rock, house, and techno, Carlos was always a man of many worlds - with an ability to traverse though them with an unique imagination. There is a mood to his search within sound, something that is heavy, deep yet gritty. Like many Caribbean transplants that ends up in northern colder climates, he wonders where our rhythmic complexity is. For him it is effortless and endlessly surprising to the listener.

Carlos is an important component of the Interdimensional Transmissions parties, bringing a loose yet tight moody deepness and an ever unexpected edge. At the original No Way Back party, he demanded truth in advertising, pushing us to and then past the 12 hour mark. He has participated in the studio with Ectomorph, and also performed alongside some of their live performances.

It is all too rare to find someone within the electronic music spectrum that can be called an original, that you can only really explain to someone who experienced them on the dance floor, usually just by saying "that's so" and saying their name. Carlos is one of those rarities. (bio by BMG)

Patrick Russell is a true veteran of the US underground, perhaps one of the last unsung heroes of a now lost era in the Midwest. A genuine sonic storyteller, he magically transforms the diaspora of acid, IDM, and pure jack energy into a deep, fluent sonic dialog that never fails to devastate both minds and dance floor.

A Detroit-bred DJ, artist and producer active since the early 90's, Patrick has now made New York City his home. Perhaps best known as a key figure in the legendary No Way Back parties, his ability to weave intensely unique, long-format narratives has earned him critical acclaim for his recent appearance at Berghain, not to mention featured spots at festivals such as Japan’s famed Labyrinth, Unsound, and his numerous appearances at DEMF/Movement. Patrick has also been steadily building a strong catalog of high-profile productions to compliment his increasingly varied, hypnotic, and in-demand DJ sets; his upcoming 3-track remix EP on The Bunker New York also marks his induction as an official resident DJ at the long-running Brooklyn party.

His consummate taste and disciplined execution have created a respect that cannot be purchased. Patrick Russell is not just a name to watch, he is someone to be experienced.

Brendan M Gillen founded Interdimensional Transmissions in late 1994 when he heard far too many ancient voices in his head. Positive that dimensions were colliding and that he could literally feel the deepest will of some mystic past, he decided not to ignore these voices but to contemplate their input, and thus Interdimensional Transmissions came to fruition and the idea-based project Ectomorph found a true home. Since then the vision has continually grown organically and mutated into something that is hard to describe yet easy to feel. His sets effortlessly combine a multitude of seemingly disparate genres into a coalescing solid sound system sensation - pure transcendent psychedelic wizardry. A polymath or sonic alchemist or something. He has recently produced Erika's solo debut, provided a remix for "Hexagon Cloud RMXD" and collaborated with her on the song "Gardeners".

Mike Servito is from a very special yet temporary and partially lost fertile crescent of techno / house / party DJing. It was a time when raves were still a fresh idea, almost felt like a revolution, and DJs like Claude Young, D Wynn, Derrick Carter and Mike Huckaby were informing an upcoming generation. If you look directly to that inspired generation you will find the lost threads of Detroit Techno, House and beyond, you will find a group of DJs with insanely deep mixing skills, the ability to rock almost any kind of party with an improvisational approach that is so skilled it makes everything seem so well thought out that even they don't know where their set will go. But, it will take you there! In the future, this special generation of deep midwest mixers will be remembered and revered as the wizards they are, long after the trendy players have lost their luster.

Detroit never forgot about Mike Servito, his upfront dirty deep and bitchy taste has had an impact on Detroit nightlife for over a decade. From debuting in 1995 at Dat's Poorboy parties, to being a resident at blackbx and Ghostly's Untitled (along with Derek Plaslaiko, Tadd Mullinix, Matthew Dear, and Ryan Elliott), contributing to the bizarrely popular, wild and free Dorkwave, to blowing minds at Interdimensional Transmissions' No Way Back parties, Servito has made his impression. Moving to Brooklyn, Detroit's loss has been their gain, as he has found a proper home with a residency at The Bunker, and representation by Beyond Booking in North America and Odd Fantastic in Europe.

Erika dreams on the cellular level, or perhaps of transdimensional intelligences moving through strange patterns on celestial objects, working towards a mysterious goal. Her connection to the dreamworld becomes concrete in her approach to music, simultaneously so solid and yet so ethereal. Erika still finds time to accomplish many things in her waking hours, such as being a member of Ectomorph, co-conspirator of Detroit's Interdimensional Transmissions record label, DJing with vinyl, making music with her pet machines, and running erika.net - a freeform streaming radio station. Erika.net celebrates its 14th year this year, being one of the very first iTunes presets. From 1993 through 1999, Erika was very involved in WCBN in Ann Arbor, as a freeform and jazz DJ, and Program Director.

The daughter of a famed scientist and already running a well known BBS from her bedroom by the time she was 13, Erika is no stranger to expressing her ideas through technology. In 1997 she was handed a TR-606 and asked to join Ectomorph, and has since become an electronic musician of the highest order, focusing on analog synthesis, with live hardware sequencing that allows transformation over time and a deep depth of tone.

For the past 15 years, The Bunker New York has led the way for American techno by bringing together hundreds of artists from all over the world. More than a mere techno party, The Bunker unites diverse sounds from across the electronic music spectrum, connecting the dots between house, techno, experimental sounds, and much more. The Bunker New York began as a party, grew up into a record label, and has become a collaborative community, fostered by founder and curator Bryan Kasenic since its launch in 2003.

Kasenic's roots in the world of music go deep. In 1993, at the age of 16, he began DJing on Carnegie Mellon’s WRCT in Pittsburgh. He went on to launch his own radio show on WNYU in 1997. The radio show, and his interest in the many weird corners of the NYC music scene, eventually morphed into the creation of a weekly email newsletter, which included noteworthy party and event listings at a time when nothing of the kind existed online. As Bryan became more established in New York City, he created Beyond Booking, the agency that would become a core part of The Bunker New York. During this time, Bryan was also a sought-after DJ, performing at parties and events on a weekly basis. Currently, Bryan also hosts a weekly show on Red Bull Music Academy Radio, featuring The Bunker's friends and family.

Bryan is much more than a mainstay at The Bunker New York. He has also played in many of the finest clubs and venues around the world: Berghain, Panorama Bar, and Atonal Festival in Berlin; Concrete in Paris; Bassiani in Tbilisi; De School and Shelter in Amsterdam; Organik Festival in Taiwan; Output and MoMA PS1's Warm Up series in New York; Contact, Air Tokyo and Circus Osaka in Japan; Smart Bar in Chicago; the Communikey and Decibel festivals in Boulder and Seattle respectively; Public Works in San Francisco; and many more. Additionally, he has co-produced numerous events and festivals, including several years at Unsound Festival New York. Unsound is one of the leading electronic and experimental music festivals worldwide, and he subsequently brought The Bunker to Krakow, Poland, Unsound's native city.

To understand Kasenic as a DJ one needs only look back at his decades of passion promoting electronic and experimental sounds in New York, and towards the sound of the artists that have become key members of The Bunker New York family: the psychedelic, cerebral bent of Atom™, Voices From The Lake, and Reagenz; the swirling, atmospheric soundscapes of Clay Wilson, Zemi17, and Marco Shuttle; and the industrial-strength hardware dynamics of Løt.te, Mark Verbos, and Romans. 15 years after its founding, The Bunker is stronger than it has ever been and continues to grow, thanks to Kasenic's vision and effort.